Peter Pinnell earned a BA degree studying music at Columbia College in Columbia, Missouri, a BFA in art at the New York State College of Ceramics at Alfred University (Alfred, NY) and an MFA in Art from the University of Colorado at Boulder.
For the first 12 years of his career Pinnell made his living as a studio potter. During this time, he taught part-time at the Kansas City Art Institute and at Johnson County Community College in Kansas. In 1995 he joined the faculty at the University of Nebraska- Lincoln. In the ensuing years, he and his colleagues built a nationally recognized ceramics program: US News & World Report ranks the UNL graduate ceramics program as the 9th best in the country.
Pinnell’s record as a teacher extends beyond the university. During the course of his career, he has taught professional workshops at Anderson Ranch, Arrowmont, Penland, the Archie Bray Foundation, over 20 colleges and universities, and at numerous community art centers.
In addition to his teaching, Pinnell exhibits widely, and his artwork is found in a number of notable collections, including the Frederick R. Weisman Art Museum, in Minneapolis, Minnesota and the Sheldon Art Museum in Lincoln, Nebraska. From 2008 to 2014, he held the honorary college title of Hixson-Lied Professor of Ceramics, in recognition of his exhibition record.
At the University of Nebraska, Pinnell served as chair of the Department of Art & Art History from 2011 to 2016. During that time, he led the department through the reaccreditation process, spearheaded the creation of an expanded design program, created a new department digital lab and oversaw the creation of two new undergraduate programs. He has also been active in art accreditation, serving on several occasions as a site visitor for the National Association of Schools of Art and Design (NASAD).
Pinnell enjoys researching the history and aesthetics of ceramics, which informs both his creative work as well as his teaching. He has spoken on these topics at a number of major ceramics conferences, including NCECA and Utilitarian Clay. Over the last 25 years, his writing and his work have appeared in Ceramics Monthly, Studio Potter, Clay Times and Ceramics Art & Perception.